2022
Performance
The
performance was inspired by the Guyanese essayist
Wilson Harris (1921–2018) and his essay Music of
Living Landscapes. According to Harris I perceive a
performance or concert as a form of infinite
rehearsal, an ongoing process or improvisation rather
than a final work. The vocal performance presented in
the space of Žižkov’s Bethlehem Chapel challengis the
concepts of patriarchy and a hierarchical social
order.
Performed
together with Marta Ebenová, Eliška Fajmonová, Klára
Fleková, Magdalena Havlová, Mariana Hradilková and
Rebeka Maxová.
Photos by
Lenka Glisníková
Organised by Gallery Hunt Kastner as part of the
Neighbourhood Boogie Woogie.
